Assistant Professor Nicole Awai included in exhibition at Sperone Westwater Gallery in New York
Fri. August 19, 2016
Assistant professor Nicole Awai was featured in Sploch, a two-venue exhibition on the Lower East Side curated by Eileen Jeng. The exhibition was on view at Sperone Westwater Gallery from July 7 - August 12, 2016.
Splotch featured artists whose work involves a methodical and controlled process of creating seemingly free form or random daubs and spots. The title of the exhibition is inspired by Sol LeWitt’s fiberglass pieces titled Splotches and the working drawings or “footprints.” Lewitt’s 12-foot long sculpture Splotch #3, 2000, which was previously shown at The Met in 2005, and the working drawings will be exhibited for the first time at Lesley Heller Workspace, the other venue of the exhibition.
Splotch includes works by Nicole Awai, Lynda Benglis, Trudy Benson, Matias Cuevas, Lucky DeBellevue, Alex Dodge, Mary Heilmann, Andreas Kocks, Sol LeWitt, Emil Lukas, Riad Miah, Takesada Matsutani, Landon Metz, Angel Otero, Otto Piene, David Reed, Taney Roniger, Brie Ruais, Julia von Eichel, Terry Winters, and Jian-Jun Zhang.
David Brooks Presents Solo Exhibition in Connecticut
Thu. June 23, 2016
Continuous Service Altered Daily is a site-engaged sculptural array, or, as David Brooks refers to it, an “asteroid field without a distinctive beginning or end.” Brooks has disemboweled a beacon of agricultural technology, a 1976 John Deere 3300 series combine harvester, into hundreds of individual components, ranging from the iconic and specific to the common and standard. He has arranged every part, with not a single piece excluded, in an ambling procession that begins in the Museum’s front plaza, winds through the Atrium, front first-floor galleries, the inner courtyard, and ends in the Sculpture Garden. The project is understood as one continuous action that is expressed in a myriad of sculptural moments. From the macro to the micro, Brooks’s installation concurrently zooms in and out of view, wedging us inside the far off and the up close.
Brooks’s method of presentation offers the machine’s shell and innards in varying degrees of material transformation: 1) in its weathered condition, but with its trademark John Deere green still visible; 2) sandblasted to remove all evidence of wear and tear, returning the object back to its material origin; 3) brass plated; 4) powder coated, elevating the individualized status of the pieces as precious objects. Brooks uses the distinctive form and function of the disassembled combine analogously, allowing it to mirror the philosophical impasse at which we find ourselves as our hyperkinetic era faces an escalating ecological crisis.
David Brooks was previously an Artist-In-Residence of The Visual Arts Center in 2014. Continuous Service Altered Daily is open at The Aldrich Contemporary Art until February 5, 2017.
Michael Smith Featured in Double Act: Art and Comedy Exhibition
Tue. May 31, 2016
This major exhibition explores how comedy is important in shaping meaning, and how it can help us negotiate the complexities of everyday life.
What we find funny can be cruel and hateful, it can establish symbolic boundaries that divide people into distinct groups, setting those with power against those without and vice-versa. But it is also a way of binding people together; providing consolation, a sense of shared experience and a powerful weapon of resistance.
Double Act presents the multiple forms of the comedic as it is manifest through the experience of contemporary art. Drawing together artists from diverse cultural and political contexts, each of whom share an interest in humour as a resource with which to animate their art practice and connect with an audience, both local and international, this exhibition will explore questions of cultural distinctiveness in an increasingly globalised world.
This project is staged across both the MAC’s galleries, and the galleries at the Bluecoat in Liverpool, with each venue presenting a different line up of artists simultaneously.
The exhibition will be on view until July 31, 2016.
Visual Arts Center to Receive Grant from National Endowment for the Arts to Support Exhibition
Tue. May 17, 2016
The Visual Arts Center (VAC) at The University of Texas at Austin has been awarded a $45,000 grant to support a multi-part exhibition by Mexico City-based artist Victor Pérez-Rul curated by Leslie Moody Castro (M.A., Art Education, 2010). This grant is part of more than $82 million approved by NEA Chairman Jane Chu to fund local arts projects and partnerships in the NEA’s second major funding announcement for fiscal year 2016.
“The arts are all around us, enhancing our lives in ways both subtle and obvious, expected and unexpected,” said NEA Chairman Jane Chu. “Supporting projects like the one from the Visual Arts Center at The University of Texas at Austin offers more opportunities to engage in the arts every day.”
The VAC has partnered with UT’s Center for Latin American Visual Studies (CLAVIS) and Energy Institute, as well as the Mexican American Cultural Center for a project that will explore the human consciousness of energy systems. Between Aug. 12 and Sept. 22, Pérez-Rul will collaborate with participants in art, physics, engineering, architecture and design to create an installation that recycles solar power into kinetic and sonic energy to power an immersive and interactive environment within the VAC. In addition to the installation at the VAC, maquettes of the artist's related work with solar-powered pods that emit sound and light at night will be exhibited on the outdoor plaza of the Mexican American Cultural Center. Both installations will be on view from Sept. 23 through Dec. 10. Moody Castro will document the exhibition's open lab and inventions with a catalog and a website.
“With the gracious support from the NEA, the Visual Arts Center will provide a unique learning platform for both collaborators and audiences that is tightly linked to our mission to educate through process,” said VAC Director Jade Walker. “Having an artist and curator in residence for such a long period of time allows for important relations to be built and true experimentation to happen throughout the course of the project.”