Department of Art and Art History Exhibition

Zoe Berg presents work in group exhibition at South of the Tracks

Tue. April 5, 2016

white logo on green square

Zoe Berg (B.F.A in Studio Art, 2013) presents work in a group exhibition at South of the Tracks in Chicago. The exhibition will be on view April 3 – May 8, 2016.

Alumna Adriana Corral interviewed on Texas Public Radio

Tue. March 22, 2016

woman in black dress stands in front of plants
Photo by Vincent Valdez.

Adriana Corral (M.F.A. in Studio Art, 2013) speaks to Texas Public Radio about her exhibition Under Erasure sous Rature at ArtPace.

Ph.D. candidates in Art History raise funds for environmental exhibitions at the Visual Arts Center

Thu. March 31, 2016

two woman look at each other in front of white wall
Left: Dorota Biczel, right: Allison Myers. Photo by Madison Brill.

In the offices of the Visual Arts Center (VAC), we fast forward to fall 2016 where Ph.D. candidates in Art History Dorota Biczel and Allison Myers are curating exhibitions. Both ambitious exhibitions will bring international artists to Austin, and Biczel and Myers have launched a fundraising campaign to raise $15,000.

“I think Austin is a very particular place,” said Biczel. “With its focus on creative industries and new, digital entrepreneurship, it’s quite far removed from the land, regardless of how much we enjoy its glorious outdoors. I hope that our exhibitions can serve as a reminder of Austin’s grounding in the larger Texas environment beyond the city limits and how important the land is to our collective wellbeing.”

Biczel, whose dissertation focuses on artists in Lima during the 70s and 80s, will bring artists Edi Hirose and Nancy La Rosa for an exhibition entitled Moving Mountains: Extractive Landscapes of Peru. The exhibition will draw attention to current environmental issues and how people reshape their landscapes. In a similar vein, Myers, whose research chronicles the reception of French art in the US during the 70s, will bring French artist Tania Mouraud for a solo exhibition entitled Regards. While in Texas, Mouraud will visit oil refineries and nuclear power plants across the state to gather material for her new work in the VAC.

man sitting in dark gallery space with three large projections on walls
Tania Mouraud, Ad Nauseam, 2012–2014, videos HD 2910, three channel installation and 29 loudspeakers, broadcast program for randomized sound ©Ircam, camera, montage and production video © Tania Mouraud, sound composition © Tania Mouraud, sound program © Ircam, photo ©Tania Mouraud.

“Much of Tania’s recent work has focused on the relationship between human activity and the natural world,” Myers described. “I wanted to commission a new Texas-based video installation from Tania, and she chose to approach it through the lens of Texas' investment in the energy industry. Tania's video and sound installations put viewers in direct contact with sites that are normally closed to the public, like refineries, paper mills and recycling centers. Her works emphasize the sensory experience of these places, so they connect with viewers on a visceral level. This connection helps to raise consciousness about humanity’s impact on the environment.”

Myers spend her childhood in a rural town outside of Tulsa, Oklahoma and went to Webster University in St. Louis. The open curriculum at Webster allowed her to focus on classes in art history, studio art and philosophy.

“I became interested in the process of writing histories about art, and the cultural and social forces that shape the way these histories are written,” said Myers. This curiosity brought her to UT Austin for a Ph.D. in Art History.

Biczel pursued studio art, working in primarily in printmaking, and attended the Warsaw Academy of Fine Arts for her undergraduate degree. She moved to the U.S. in 2002 and began writing art criticism while running a small print studio in Milwaukee, Wisconsin. Writing led her to completing dual degrees in Art History, Theory and Criticism and Arts Administration and Policy at the School of the Art Institute of Chicago.

“When I finished, I realized I wasn’t done at all,” Biczel said. “It was clear to me that there was so much more work that needed to be done, which lead me to pursue a Ph.D.”

sandy landscape with bulldozers in background
Edi Hirose, from the series Jicamarca, 2013–2015, digital photography printed on paper. Image courtesy of the artist.

As both Biczel and Myers complete their dissertations, they are steadfastly planning exhibitions and are embarking upon a campaign to raise the money needed to bring their international artists to Austin.

“We’re incredibly fortunate to have the opportunity to curate exhibitions with the support of the department behind us,” says Myers. “For me, it’s key that we have a lot of freedom to propose exhibitions and develop them while still having a supportive framework that helps us learn as we go. And any job in the arts is probably going to require fundraising at some time, so it’s great to be getting this experience now.”

Their fundraiser launches March 23 on Hornraiser, the university’s official crowdfunding platform. Biczel and Myers hope to raise $15,000 that will contribute to the transportation of artworks from and back to Lima and Paris, travel costs for the artist to be present at the exhibition openings and interact with students, framing, the construction of a video-projection room in the VAC, and production costs for Mouraud's new video commission.

“It’s exhilarating to be able to present some of the artists whom I admire to the arts community and general public at the VAC,” says Biczel. “I really believe that contemporary art can touch and affect anyone, regardless of age and education.”

Contribute to the Hornraiser.

Moving Mountains: Extractive Landscapes of Peru and Tania Mouraud: Regards will open September 23, 2016 at the Visual Arts Center.

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