Home, Memory, and Future, a three-part exhibition features work from Studio Art professor Nicole Awai
Fri. October 7, 2016
Home, Memory, and Future is a three-part exhibition celebrating the 40th Anniversary of the Caribbean Cultural Center and African Diaspora Institute in New York. The exhibition will explore the notion of home in the age of gentrification, dislocation, migration, exile, belonging, health and unaffordable housing. This inaugural exhibition at the Center’s new location at 120 East 125TH Street between Lexington and Park Avenues is curated by Lowery Stokes Sims, Yasmin Ramirez, Marta Moreno Vega and Regina Bultrón Bengoa. Home, Memory, and Future will feature work from 20 artists of various mediums, including augmented reality.
Awai’s work will be featured in part two of the exhibition titled “Harlem and home in the Global Context” and installed on the second floor of the Caribbean Cultural Center African Diaspora Institute. From the exhibition website, “[This floor] will feature work by painters, sculptors and installation artist that demonstrates how the concept of ‘home’ represents a universal and universally experienced concept for artists of color from diverse origins. The selected work will demonstrate how memory can be relied upon to recreate, imagine and reconstruct cultural traditions in varied efforts to establish ‘home’ in distant environments.”
The exhibition will be on view from October 15 – March 2017.
Fri. October 7, 2016
Iva Kinnaird (B.F.A. in Studio Art, 2014) is exhibiting new work this October at Texas Woman’s University galleries. The exhibition, Make Time, will be on view October 8 – November 6, 2016.
This exhibition brings together Kinnaird and M.F.A. candidate in Studio Art at the Meadows School of the Arts at SMU Shelby David Meier who are exploring the murkiness of time, particularly the manner in which it can be “made” into a physical record of a set of actions. These actions can be purposeful or wasteful, or purposefully wasteful – embodiments of the manner in which we simultaneously work for, against, or in conjunction with time.
Wed. October 5, 2016
“We are excited to launch this new program as a Maymester because we want to give opportunities to students in COFA to experience the dynamic history, archaeology and visual cultures of Central America,” writes Dr. Astrid Runggaldier, assistant director of the Mesoamerica Center at The University of Texas at Austin and one half of the leadership team for Bridging Cultures in Latin America alongside Dr. David Stuart. “We realized with previous programs during the academic semesters that for students in the arts – especially students who need access to studio space — it is difficult to go abroad for extended periods of time. We hope that this Maymester, open to all majors across the university, will also give our COFA students the chance to learn about and be inspired by the vibrant cultures of contemporary and ancient Latin America."
The Bridging Cultures in Latin America: Maya and Colonial Heritage program coursework relies on hands-on observation and experience throughout the dynamic countries of Guatemala and Belize. As such, students will travel extensively throughout Guatemala and Belize to experience archaeological sites, museums, villages, cooperative businesses, natural reserves and protected ecosystems, and will be matched with local family stays for their time in Antigua.
The Bridging Cultures in Latin America team is committed to reducing financial barriers to the study of Central American culture and history. Financial support for one student applicant in the amount of $1,500 to defray the cost of the program will be awarded.
Wed. October 5, 2016
Currently on sabbatical and completing a studio residency in Berlin awarded by the Aargauer Kuratorium, Photography Professor Teresa Hubbard will have her work with collaborator Alexander Birchler exhibited in multiple exhibitions this fall.
From October 6, 2016 – February 4, 2017, The State Museum for Art and Design Nuremberg, Germany will be exploring contemporary frontiers in film and video art. Hubbard and Birchler’s Single Wide will be shown in the month of December. Other artists included in the exhibition are Johan Grimonprez, Julian Rosefeldt, Stan Douglas and others.
Also in October, the National Gallery in Prague’s Moving Image Department will commence its 6th Chapter: Inner Lives (Of Time), exhibiting the work of Hubbard and Birchler. The sixth chapter of the Moving Image Department concentrates on two parallel and complementary themes – the (inner) architecture of time and the architecture as a vehicle of a (real and imagined) temporality. The works gathered in “The Inner Lives (Of Time)” are reveries and as such, oscillating between the states of dreaming and waking, they express the psychology of both time and architecture, and their influence upon (mainly female) protagonists’ conscious and sub-conscious acts and the actions' flow. From the trance films of the American avant-garde filmmaker and film theorist of the 1940’s and 1950’s, Maya Deren through a cinematographic masterpiece, “House with Pool” (2004) by American-Swiss filmmakers Teresa Hubbard / Alexander Birchler down to the structural poetry of Czech artist Markéta Othová’s photography and the poetic structure of Austrian artist Josef Dabernig’s already iconic Montage-System, the exhibition loops the stories in a search for a cinematic truth and magic.
The exhibition will be on view October 5, 2016 – January 15, 2017
Tue. October 4, 2016
The Light of Consciousness: Part I, by Katherine E. Bash (M.F.A. in Design, 2004) is a multi-layered installation of photography, and poetry drawn from three years of investigatory travel into different landscapes—both interior and exterior—with a focus on ephemeral phenomena. The exhibition includes 57 unique photographs, a publication Companion Guide and a recording of the accompanying Polylogue (a multi-sourced poetic form). Public programs included a one-time collaborative performance with violinist John Madura, concertmaster of the Midland Symphony Orchestra, on August 20, 2016.
According to co-curator Pujan Gandhi, Bash's installation reminds the viewer that “objective cognitions are also subjective, and that our mind’s eye is constantly revealing, concealing, and again revealing our observed reality.” Gandhi explains that “[e]ach photograph captures a sensory semi-stasis, one that the artist then acts upon with a ‘chance reading’ of a selected text. Image, language, and performance coalesce into a cohesive whole. Her aim: to generate an alternate space to discover ‘new meanings, and new poetries.’”
Katherine E. Bash lives and works in London, UK and Midland, TX. She earned her B.A. in Biology and an M.F.A. in Design at The University of Texas at Austin. In 1998 Bash received a Fulbright Fellowship to conduct a visual anthropology of indigenous rainforest cultures of Ecuador. Bash was an awarded a Ph.D. from the Bartlett School of Architecture at the University College London in 2011 for her dissertation: Spatial Poetics: Heuristics for Experimental Poisesis. Her most recent exhibition, De Speculum Oraculum, was held at the Till Richter Museum in Buggenhagen Germany.