Work

 

artwork by Caroline Kroger

Mother/Daughter, oil on canvas, 16x24 in.
 

artwork by Caroline Kroger

Damned Bull, Wretched Dove, oil on panel, 52x30 in.
 

artwork by Caroline Kroger

Mourning:Morning, oil on panel and cotton thread on penelope, 5x14 in.
 

artwork by Caroline Kroger

Knot, oil on hand-lucked cowhide, 6x12 in.
 

artwork by Caroline Kroger

Death of a Workhorse, oil on canvas, 30x40 in.
 

Bio

 

BFA, Carnegie Mellon University with a minor in Animation/VFX


Caro's practice moves between painting, quilting, and sculpture, operating through handicraft as both structure and subject. Woodworking, quilting, appliqué, and needlepoint function as framing devices and conceptual tools, asking how images shift when materials change and how domestic labor coexists with industry and isolation.

Raised in Texas, her work reflects a connection to the layered histories and contradictions of the Gulf Coast, where industrial sprawl meets the natural landscape. She returns to motifs of obsolete machines, simplified geometries, and birds that hover between symbol and body; Images that hold humor and failure in tension, and attempt to offer company within conditions of estrangement.

 

artwork by Caroline Kroger

Mother/Daughter, oil on canvas, 16x24 in.
 

artwork by Caroline Kroger

Damned Bull, Wretched Dove, oil on panel, 52x30 in.
 

artwork by Caroline Kroger

Mourning:Morning, oil on panel and cotton thread on penelope, 5x14 in.
 

artwork by Caroline Kroger

Knot, oil on hand-lucked cowhide, 6x12 in.
 

artwork by Caroline Kroger

Death of a Workhorse, oil on canvas, 30x40 in.
 

 

BFA, Carnegie Mellon University with a minor in Animation/VFX


Caro's practice moves between painting, quilting, and sculpture, operating through handicraft as both structure and subject. Woodworking, quilting, appliqué, and needlepoint function as framing devices and conceptual tools, asking how images shift when materials change and how domestic labor coexists with industry and isolation.

Raised in Texas, her work reflects a connection to the layered histories and contradictions of the Gulf Coast, where industrial sprawl meets the natural landscape. She returns to motifs of obsolete machines, simplified geometries, and birds that hover between symbol and body; Images that hold humor and failure in tension, and attempt to offer company within conditions of estrangement.