Work
Gyeongju, 2023, archival pigment print, 80x60cm
Semi, 2023, archival pigment print, 80x60cm
Han River, 2024, archival pigment print, 60x70cm
Misdelivered Letter, 2025, mixed media, 19x15x4cm
Weeds Grow, 2026, mixed media, 40x30x8cm
Bio
Noa Park is a Korean artist and researcher based in Austin, Texas, who explores the relationship between social hierarchy and growth. Through photography, poetry, sound, and independent publication, she experiments with media materiality to investigate liminal identity, sense of place, and collective memory. Her work reflects an artistic inquiry into the intersection of image and text, tactility and narrative, and presentness and history. By summoning marginalized, unheard voices into the shared discourse, she has built micro-narratives from the periphery within both communities and contemporary art.
She is currently interested in how early life adversity shapes in-between identity and a sense of belonging across art practice and behavioral science research. Weaving textual fragments into artist books is central to her work, inviting audiences to physically interact with the books and immerse themselves in others’ stories. Collecting archives, reconstructing narratives, and commemorating provisional moments at the fringes of history have been her primary acts of resistance to violence, classification, and stigma.
Gyeongju, 2023, archival pigment print, 80x60cm
Semi, 2023, archival pigment print, 80x60cm
Han River, 2024, archival pigment print, 60x70cm
Misdelivered Letter, 2025, mixed media, 19x15x4cm
Weeds Grow, 2026, mixed media, 40x30x8cm
Noa Park is a Korean artist and researcher based in Austin, Texas, who explores the relationship between social hierarchy and growth. Through photography, poetry, sound, and independent publication, she experiments with media materiality to investigate liminal identity, sense of place, and collective memory. Her work reflects an artistic inquiry into the intersection of image and text, tactility and narrative, and presentness and history. By summoning marginalized, unheard voices into the shared discourse, she has built micro-narratives from the periphery within both communities and contemporary art.
She is currently interested in how early life adversity shapes in-between identity and a sense of belonging across art practice and behavioral science research. Weaving textual fragments into artist books is central to her work, inviting audiences to physically interact with the books and immerse themselves in others’ stories. Collecting archives, reconstructing narratives, and commemorating provisional moments at the fringes of history have been her primary acts of resistance to violence, classification, and stigma.