Professor John Clarke and Oplontis Project Win Loeb Classical Library Foundation Fellowship
Mon. March 27, 2017
The Loeb Classical Library Foundation at Harvard University has awarded a Loeb Classical Library Fellowship to Art History Professor John Clarke and the Oplontis Project. The Loeb Classical Library Foundation awards fellowships to qualified scholars to support research, publication and other projects in the area of classical studies. With the fellowship in 2017-2018, Oplontis Project will continue their work at the site of Oplontis in Torre Annunziata, Italy.
Jason Urban's The Formalist's Library exhibition opens at SNAP Gallery
Thu. March 23, 2017
From the 1940's zines devoted to H.P. Lovecraft to the Soviet underground press samizat, the recent work of Studio Art faculty member Jason Urban mines the rich landscape of print history. His prints, drawings, paintings and installations have been featured in numerous venues nationally and internationally, and, most recently, brought him to The University of Alberta. Urban was invited to lecture about his work and research in conjunction with the opening of The Formalist’s Library at The Society of Northern Alberta Print-artists (SNAP) Gallery in Edmonton, Alberta.
In The Formalist’s Library, Urban meditates on the structure of the traditional brick-and-mortar library as a vehicle for delivering information as we move from the physical to physible. The Formalist’s Library is an ongoing series exploring various aspects of library architecture and systems and the lifespan of printed media in both the micro (daily) and macro (centurial) sense.
The Formalist's Library is on view March 16, 2017 - April 22, 2017.
Hotel Mexico awarded the Arvey Foundation Book Award from the Association for Latin American Art
Mon. March 20, 2017
Each year the Association for Latin American Art (ALAA) selects a book representing the best scholarly work published on the art of Latin America from the Pre-Columbian era to the present for the Arvey Foundation Book Award. This year, the selection committee honored Art History assistant professor George Flaherty with that award for his most recent book, Hotel Mexico: Dwelling on the '68 Movement (University of California Press, 2016).
“In his abundantly detailed, thoughtful, and theoretically sophisticated study, Flaherty engages a pivotal episode, the 1968 massacre of 300 student protestors in Mexico City ten days before the Olympics,” said Charlene Villaseñor Black, ALAA Chair, during the award presentation. “Flaherty considers Mexico in 1968 and its cinematic, photographic, and literary afterimages in an analysis of the diverse ways in which the Tlatelolco Massacre is remembered, evoked, and memorialized.”
Flaherty publishes primarily on Latin American and U.S. Latino visual and spatial cultures since 1940, with emphasis on Mexico and the U.S.-Mexico borderlands. His research and teaching interests extend to Cuba, film and media studies, postcolonial and subaltern studies, and the historiography of global contemporary art. Hotel Mexico investigates the spatial dimensions of the 1968 student-led protest movement in Mexico City and its representation.
Professor Joan Holladay Invited to Lecture at Centre for the Study of Manuscript Cultures in Hamburg
Mon. March 20, 2017
The Centre for the Study of Manuscript Cultures engages in fundamental research on the diversity of manuscript cultures. In early March, the center invited Art History Professor Joan Holladay along with scholars of manuscripts from across the globe to share their research in Hamburg, Germany during a workshop titled, “The Illustration of History in Medieval Manuscripts.”
Meant to address the question of the illustration of historical texts in both Western European and Persian traditions, the colloquia in March brought together specialists from Europe, the United States and Turkey, to provide a comparative approach to many common questions in the field. Holladay’s presentation focused on her research in western medieval art, specifically focusing on cases where manuscript illustrations depart from patterning manusc imagery after its accompanying text and choose to depict family trees.
“My paper examined three different kinds of chronicles whose illustrations depart from this expected pattern in which the images illustrate events narrated in the text,” writes Holladay. “All three replace such narrative imagery with family trees, diagrams that are not generated by the text. If the choice of narrative episodes to illustrate the events in more typically illuminated chronicles reveal an understanding of the text, I ask: ‘How do such family trees elaborate, supplement, or gloss the text?’”
Dance with flARmingos: Kristin Lucas interviewed by Oregon Public Broadcasting on the latest evolution in her work with virtual reality
Mon. February 27, 2017
“As a December snowstorm raged around OSB’s office in downtown Portland, the artist Kristin Lucas was dreaming of flamingos.”
And so begins the podcast episode “Oregon Virtual Reality Incubator Takes Artists Into New Worlds” from Oregon’s NPR station. The host, Aaron Scott featured the artists and work from an Augmented/Virtual Reality Artist Residency, including Transmedia professor Kristin Lucas.
Kristin Lucas' virtual reality project, Dance with flARmingos: Multispecies Dance is a poetic proposition that re-imagines kinship between humans and flamingos from the ethical distance of a Mixed Reality experience. However, Dance with flARmingos, has been a long time in the making and functions as the umbrella title for a series of Augmented Reality projects Lucas has produced since 2015. The latest iteration of the project, Multispecies Dance, takes the series in a new direction, utilizing new Augmented and Virtual Reality technologies, including the Microsoft HoloLens and HTC Vive. Lucas' project is inspired by writings on ecology and feminism, and involves partnership with a wetlands reserve organization in the Mediterranean where she recently adopted flamingos as a part of a conservation effort. Production support for Multispecies Dance is being provided through residencies affiliated with Oregon Story Board/Upfor Gallery (Portland), Harvestworks (New York) and Printscreen Festival (Tel Aviv).
To listen to the podcast, visit Oregon Public Broadcasting’s website.