Department of Art and Art History Faculty

Eddie Chambers discusses "Black British Art in Space" in The Architectural Review

Fri. February 5, 2016

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Eddie Chambers discusses "Black British Art in Space" in The Architectural Review.

James Walker featured on Communication Arts' FRESH

Thu. February 4, 2016

Julia Guernsey presents a lecture entitled "Thinking about the Body—Whole and Fragmentary—in Mesoamerican Art" at the Kimbell Art Museum

Thu. February 4, 2016

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Julia Guernsey will give a lecture entitled "Thinking about the Body—Whole and Fragmentary—in Mesoamerican Art" at the Kimbell Art Museum in Fort Worth. The lecture will take place February 19, 2015 at 6 p.m.

2016 CAA reception and sessions to note

Mon. January 25, 2016

image of washington monument with orange flowers in foreground

Join the Department of Art and Art History reception and meet fellow alumni, students, and faculty. The reception will be held Friday, February 5, from 5:30 – 7 p.m. at the Washington Marriott Wardman Park Hotel. Bookmark sessions that including faculty, students or alumni listed below. See the full schedule at collegeart.org.

Wednesday, February 3

The Artist-Critic: History, Identity, Work
9:30 a.m. – noon
No Destination: Regina Rex’s Consensus, Katie Geha, Ph.D. in Art History, 2012, currently at Dodd Galleries, Lamar Dodd School of Art, University of Georgia

CAA Promotion and Tenure Guidelines For Design Faculty
12:30 – 2 p.m.
Carma Gorman, assistant chair and associate professor of Design

The Language Of Fame and Failure In The Renaissance
2:30 – 5 p.m.
Chair: Jeffrey Chipps Smith, Kay Fortson Chair in European Art

The Art Of Assembly: Urban Space and Crowd Control In The Middle Ages
2:30 – 5 p.m.
Chair: Gillian B. Elliott, Ph.D. in Art History, 2005, currently at the Corcoran School of the Arts and Design

The Modernities Of French Art and Its History, 1780 To The Present
2:30 – 5 p.m.
French Art at the End of Modernism: The Case of Supports/Surfaces, Allison Myers, M.A. in Art History, 2009, Ph.D. candidate in Art History

Thursday, February 4

Everything Disappears
9:30 a.m. – noon
Co-Chair: Alexander Dumbadze, M.A. and Ph.D. in Art History, 1999/2005, currently at The George Washington University

Why Review?
9:30 a.m. – noon
Discussant: David Raskin, Ph.D. in Art History, 1999, currently at the School of the Art Institute of Chicago

Without Borders: The Promise and Pitfalls of Inter-American Art History
2:30 – 5 p.m.
Co-Chair: Breanne Roberston, M.A. in Art History, 2005, currently at American University

Out Of Time and Out Of Place: Comparative Approaches In Art History
2:30 – 5 p.m.
Between Reality and Transcendence: Byzantine Modernism in the Mid-Twentieth Century, Jessamine Batario, M.A. in Art History, 2012, Ph.D. candidate in Art History

Another 5x5: Mining the DC Area’s Distinct Culture
2:30 – 5 p.m.
Co-Chair: Zoe Charlton, M.F.A. in Studio Art, 1999, currently at American University

Pacific Standard Time North: San Francisco Art, 1960 -1980
5:30 – 7 p.m.
Visualizing Political Prisoners in Third World San Francisco, Tatiana Reinoza, M.A. in Art History, 2009, Ph.D. in Art History

Art and Citizenship in Contemporary Social Practice
5:30 – 7 p.m.
Panelist: Erin Duganne, M.A. and Ph.D. in Art History, 1997/2004, part of Borderland Collective

Friday, February 5

Housework: Contemporary Art and the Domestic
9:30 – noon
The Inseparable Connectivity of It all: Amanda Ross-Ho’s White Goddesses and Vintage Macramé Books, Susan E. Richmond, M.A and Ph.D. in Art History 1995/2002, currently at Georgia State University

Before the Selfie: Promoting the Creative Self in Early Modern Northern Europe
12:30 – 2 p.m.
Bavarian Apelles: Hans Wertinger’s Inserted Self-Portrait from the Landschut Court of Ludwig X., Catharine Ingersoll, M.A. and Ph.D. in Art History, 2009/2014, currently at Virginia Military Institute

Female Piety and Visual Culture in the Late Medieval and Early Modern Hispanic World
2:30 – 5 p.m.
Chair: Cristina C. Gonźalez, M.A. in Art History, 1999, currently at Oklahoma State University

Controversy, Censorship, and Conundrums: Finding Connections in Teaching
5:30 – 7 p.m.
Co-Chair: Ruth Stanford, B.F.A. in Studio Art, 2000, currently at Georgia State University

Publishing in European Postwar and Contemporary Art: New Prospects in Research and Translation
5:30 – 7 p.m.
Rewriting the Arts in France since 1945, Catherine Dossin, Ph.D. in Art History 2008, currently at Purdue University

Department of Art and Art History, UT Austin Reception
5:30 – 7 p.m.
Department of Art and Art History alumni, faculty, and students are invited to a reception at the Washington Marriott Wardman Park Hotel, Park Tower Suite 8219, Lobby Level.

Saturday, February 6

Copy That: Painted Replicas and Repetitions before the Age of Appropriation
9:30 a.m. – noon
Chair: Valerie L. Hellstein, M.A. in Art History, 2001, currently at The Willem de Kooning Foundation

Formalism Before Clement Greenberg – Part II
2:30 – 5 p.m.
Discussant: Richard Shiff, Effie Marie Cain Regents Chair in Art, Professor of Art History

Aesthetics of Displacement: The Graphic Evidence
2:30 – 5 p.m.
The Moon Reader: Touch in Translation, Teresa Jaynes, B.F.A. in Studio Art, 1980, currently artist-in-resident at The Library Company of Philadelphia

 

The American School: Artists and Status in the Late Colonial and Early National Era by Susan Rather

Thu. January 28, 2016

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The American School: Artists and Status in the Late Colonial and Early National Era

What did it mean to be an American artist in the 18th- and early-19th-century transatlantic world? In this first comprehensive art-historical study of the subject, Susan Rather examines the status of artists from different geographical, professional, and material perspectives: portrait painting in Boston and London, the trade of art in Philadelphia and New York, the negotiability and usefulness of colonial American identity in Italy and London, and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists (John Singleton Copley, Benjamin West, and Gilbert Stuart, among others) with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements, all well represented in this richly illustrated book. Throughout, Rather questions the validity of the term "American,” which she sees as provisional—the product of an evolving, multifaceted cultural construction.

Susan Rather is professor of Art History at The University of Texas at Austin. This book was published by Yale University Press in association with the Paul Mellon Centre for Studies in British Art.
 

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