Department of Art and Art History Faculty

Studio Art Professor Troy Brauntuch among 1980s artists highlighted in T Magazine feature on Pictures Generation

Fri. February 24, 2017

dark red drawing of figures close to floorboards
Troy Brauntuch, “Floor Boards,” 1984, pastel and conte on cotton, 108 in. x 144 in., courtesy of the artist and Petzel, New York
 
Troy Brauntuch was featured in New York Times' T magazine for contribution to the Pictures Generation, artists of the 1980s heralded by the publication for their continued significance.
 


 

Michael Smith traces origins of Baby Ikki persona in screening and panel conversation at Museum Brandhorst

Mon. February 27, 2017

A man facing the horizon dressed in diaper stares at desert sun
 
Transmedia professor Michael Smith will be speaking on a panel with art historian Helmut Draxler and artists Peter Wächtler and Jutta Zimmermann at the end of March. Panel discussion will focus on panelist engagement with post-apocalyptic narratives in their work.

The March 31 panel and screenings are among a series hosted by Museum Brandhorst titled “Post-Apocalyptic Realism: It’s After the End of the World. Don’t You Know That?”, which brings together artists who, “[take] the fragile status of mankind in the world as their starting point,” as the museum’s press relates. “Post-apocalyptic stories are also a continuation of one of modernity’s essential narratives: the narrative of the self which has lost its ground and place in a world that has long been out of joint. They are directed at a possible future while at the same time being profoundly anchored in the given reality of the present and past.”

In a description of Smith’s work and contribution to discussion, Museum Brandhorst’s program details,

“For over thirty years, video/performance/installation artist Michael Smith has built an extensive body of work based on two performance personae: Mike, a hopeful innocent who continually falls victim to trends and fashions outside his reach; and Baby Ikki, an ambiguously aged toddler who follows his impulses down unsupervised and often precipitous paths. Both characters are convenient narrative vehicles for Smith to engage the tragicomic aspects of contemporary culture, teasing out facets of loneliness, consumerism, and measures of success and failure. Following the screening of Baby Ikki’s trip to the Burning Man Festival (“A Voyage of Growth and Discovery”, Michael Smith and Mike Kelley, 2010, 87min), Smith will trace the origins of each persona back to the mid-1970s, discussing how feminism, the silent majority, blandness and the media informed their separate and arrested development.”

More details about the series and Michael Smith can be found at e-flux and Museum Brandhorst.  

David Stuart interviewed on KERA Think podcast about Ancient Maya

Tue. February 21, 2017

Maya steps seen from a side angle
Shutterstock

Professor of Art History and Co-Director of the Mesoamerica Center David Stuart joined Think host Krys Boyd to talk about the people who once dominated parts of Mexico and Central America – the subject of the exhibit “Maya: Hidden Worlds Revealed” at the Perot Museum of Nature and Science.

To listen to the full podcast, click here
For more coverage on Stuart and the Perot Museum visit NBCDFW.com.

A Routine in Parts, an exhibition of new works at Lawndale Art Center from Eric McMaster

Sun. February 12, 2017

woman doing performance with arms extended in black outfit. She has blonde hair
 
Sculpture and extended media faculty member Eric McMaster is exhibiting video works and associated objects in the exhibition A Routine in Parts at Lawndale Art Center in Houston, TX. 

Nicole Awai's Work Featured in New Publication, Creole in the Archive: Imagery, Presence and the Caribbean Figure

Fri. February 3, 2017

book cover for Creole in the Archive with a seemingly archival image of an African American woman overlapped by first a large red triangle stacked on top of a yellow triangle
Book jacket for Creole in the Archive

 

Associate Professor of Painting and Drawing Nicole Awai's photographic work will be featured in Roshini Kempadoo's new book, Creole in the Archive: Imagery, Presence and the Location of the Caribbean Figure, to be published in late February 2017. Creole in the Archive employs photographic analysis to explore the visual arts of the Carribean from 1850 to the present. 

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