Department of Art and Art History Faculty

Beili Liu Featured in the 2016 Hangzhou Triennial of Fiber Art, Weaving & We

Mon. October 10, 2016

blue fiber art piece
 
In September 2016, Hangzhou–an ancient silk and global city–held the second Hangzhou Triennial of Fiber Art. Once again an international dialogue has been created between disciplines, geographies and people.  The Triennial stages this dialogue from a fiber art’s perspective both chronologically and on a grand scale.

In 2013, the first Hangzhou Triennial of Fiber Art attracted over 150 thousand visitors and artists from more than 16 countries. For the first time audiences in China had an opportunity to learn about modern fiber art. At the time of the Second Hangzhou Triennial the G20 Summit will take place. Running concurrently, these two international events will run in parallel.  Two global visions converge together with the creative vitality of the art works on display.
 
The second Triennial has a distinctive theme, “Weaving & We”, a starting point for curators and artists.
 
“Weaving” is a special practice. It is embedded in narrative. It tells stories that combine a history of textile labor and production with human experience. It tells these stories with raw materials and advanced technology. Technology changes at a fast pace and so too does the perception of weavers around the world, as individuals, groups and regions.
 
The exhibition has four sections which represent the research of curators. The artists selected echo Weaving & We from a numbers of different positions and perspectives.
 

Type Hike: Exhibition Trek across the US

Fri. October 7, 2016


Centennial poster design by James Louis Walker

Type Hike, a collaborative design project organized by David Rygiol and Design lecturer James Louis Walker, will be publicly exhibited starting this December in Poler stores across the U.S. The project involves 60 designers and typographers, including University of Texas alumni Jolie Durand (B.F.A. in Design, 2016), Zachary Weiland (B.S. in Advertising, 2016) and Lauren Dickens (B.F.A. in Design, 2011).
 

Centennial poster design by Jolie Durand
Centennial poster design by Jolie Durand

Each designer has created a unique design for a park they love in celebration of the National Parks Service centennial this year. Exhibitions of the 60 works will begin in Laguna Beach, California and Portland, Oregon before appearing in other cities such as Charleston, Chicago, St. Louis, Louisville, and Austin during 2017.

To see more designs and read more about the project, visit typehike.com or follow along on instagram @typehike.

Art and Art History Faculty Invited to Guest Lecture around the World

Thu. October 13, 2016

Design program Assistant Chair Carma Gorman
Design program Assistant Chair Carma Gorman

Design associate professor and assistant chair of the Department of Art and Art History’s Design Division Carma Gorman, Studio Art professor Michael Smith and Art History associate professor Dr. Penelope Davies have each been invited to give lectures in their specialty areas this fall.

In early October, Gorman gave a lecture called "What's American About American Design?" at the University of South Carolina, North Carolina State University, and the University of Richmond. Gorman proposes a new way of defining "American design," identifying some of its distinctive traits, and argues that the national peculiarities of U.S. design are in many cases direct responses to the globally anomalous characteristics of U.S. laws and standards.

Associate Professor Penelope Davies
Associate Professor Penelope Davies

Associate professor Davies gave a paper at The Alternative Age of Augustus conference in Cuma, Italy. Her paper, titled “Augustus’ Urban Renewal: Visionary or Derivative?”, challenges the characterization of Augustus as a visionary (e.g Favro 1998). Davies argues for the role of Republican government in preventing a unified building urban ‘program’, and the reluctance of those magistrates charged with construction to commit themselves to far-reaching public building policies. The change of urbanistic approach, she contends, came not with Augustus but with Julius Caesar.

Transmedia Professor Michael Smith
Transmedia Professor Michael Smith

Transmedia Professor Michael Smith will be speaking alongside Brandon Zech, Assistant Editor at Glasstire, at Artpace in San Antonio about the changing role of the artists and the artist as curator. As the two identities have become increasingly linked, there is a fluidity in a what role you take in the art world. The discussion hopes to parse out how this came to be.

Professor Emeritus Paul P. Hatgil Honored with Distinguished Alumnus Award

Sun. October 9, 2016

Professor Emeritus Paul P Hatgil
 

As a testament to his lifelong dedication to the fine arts, the Massachusetts College of Art is awarding Professor Emeritus Paul P. Hatgil (1950-1985) with the honor of Distinguished Alumnus. The ceremony will take place on November 4, 2016 at Massachusetts College of Art in Boston.

 

 

 


 

Home, Memory, and Future, a three-part exhibition features work from Studio Art professor Nicole Awai

Fri. October 7, 2016

 

portait photo of Nicole Awai
Nicole Awai
 

Home, Memory, and Future is a three-part exhibition celebrating the 40th Anniversary of the Caribbean Cultural Center and African Diaspora Institute in New York. The exhibition will explore the notion of home in the age of gentrification, dislocation, migration, exile, belonging, health and unaffordable housing. This inaugural exhibition at the Center’s new location at 120 East 125TH Street between Lexington and Park Avenues is curated by Lowery Stokes Sims, Yasmin Ramirez, Marta Moreno Vega and Regina Bultrón Bengoa. Home, Memory, and Future will feature work from 20 artists of various mediums, including augmented reality.

Awai’s work will be featured in part two of the exhibition titled “Harlem and home in the Global Context” and installed on the second floor of the Caribbean Cultural Center African Diaspora Institute. From the exhibition website, “[This floor] will feature work by painters, sculptors and installation artist that demonstrates how the concept of ‘home’ represents a universal and universally experienced concept for artists of color from diverse origins. The selected work will demonstrate how memory can be relied upon to recreate, imagine and reconstruct cultural traditions in varied efforts to establish ‘home’ in distant environments.”

The exhibition will be on view from October 15 – March 2017.
 

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