Studio Art Courses

First-year core studio class with an emphasis on techniques of drawing. Focus on line, line weight, continuous line, contour line, sighting, figure, gesture, perspective (two-point, three-point, and isometric/orthogonal drawing), value, color, and texture. Course projects will allow students to envision and understand drawing in a contemporary context.

Students may arrange to complete 100% of course requirements online with prior authorization by instructor. Please contact instructor after registration to discuss.

Sarah Navasse Miller
MW 8–11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Peter Abrami
MW 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Megan Hildebrandt
TTH 8–11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

First-year core studio class with an emphasis on creating planar works and exploring formal principles and conceptual concerns. Course projects will allow students to envision and understand planar works in a contemporary context.

Zach Meisner
MW 8–11
Teaching Format →  Online

riel Sturchio
MW 11–2
Teaching Format →  Online

Zach Meisner
MW 2–5
Teaching Format →  Online

Zach Meisner
TTH 8–11
Teaching Format →  Online

Sarah Navasse Miller
TTH 2–5
Teaching Format →  Online

First-year core studio class with an emphasis on creating spatial works and exploring formal principles and conceptual concerns. Working with space, time, structure, process, and material. Course projects will allow students to envision and understand spatial work in a contemporary context.

Erin Cunningham
MW 8–11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Katy McCarthy
MW 2–5
Teaching Format →  Online

Erin Cunningham
MW 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Erin Cunningham
TTH 8–11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Katy McCarthy
TTH 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

First-year core studio class with an emphasis on time-based media and digital technology. Course projects will allow students to gain awareness of media art and ability to utilize digital technology and time-based media in a contemporary context.

Katy McCarthy
MW 8–11
Teaching Format →  Online

riel Sturchio
MW 2–5
Teaching Format →  Online

Exploration of various methods, subjects, and expressive possibilities in drawing further developing an understanding of the language of line, marks, value and composition. This course will be taught online.

Troy Brauntuch
TTH 8–11
Teaching Format →  Online

Exploration of various methods, subjects, and expressive possibilities in drawing. Projects are informed by the considerations and investigations of historical and contemporary artists who have engaged the challenges of drawing. Emphasis will be placed on developing individual vision and practice through mark making in traditional drawing media and other mediums and materials.

Fulfills →  Independent Inquiry flag

Sarah Canright
TTH 2–5
Teaching Format →  Online

Exploration of various methods, subjects, and expressive possibilities in drawing. Projects are informed by the considerations and investigations of historical and contemporary artists who have engaged the challenges of drawing. Emphasis will be placed on developing individual vision and practice through mark making in traditional drawing media and other mediums and materials.

Fulfills →  Independent Inquiry flag

Sarah Canright
TTH 2–5
Teaching Format →  Online

Problems in drawing and construction of the human figure in selected media.

Dan Sutherland
TTH 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

This course explores concepts and techniques in drawing through composition, form, space, flatness, texture, dimension, depth, color, and surface to further develop strategies of visual awareness. This class will provide a platform to explore expanded aspects of drawing to understand and represent the body in relation to physical space and identity. Students will develop formal techniques and critical thinking skills to expand drawing beyond its traditional 2D parameters. Discussions and assignments will be based on readings, art historical references, and weekly exposure to global contemporary practices.

Fulfills →  Independent Inquiry flag

Scherezade García
MW 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

This course explores concepts and techniques in drawing through composition, form, space, flatness, texture, dimension, depth, color, and surface to further develop strategies of visual awareness. This class will provide a platform to explore expanded aspects of drawing to understand and represent the body in relation to physical space and identity. Students will develop formal techniques and critical thinking skills to expand drawing beyond its traditional 2D parameters. Discussions and assignments will be based on readings, art historical references, and weekly exposure to global contemporary practices.

Fulfills →  Independent Inquiry flag

Scherezade García
MW 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Introduction to painting techniques, composition, and exploration of personal expression. This course will be taught using a hybrid format that includes online and in-person components, as space and safety permit.

Nicole Awai
MW 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Dan Sutherland
TTH 8-11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

This course will invite students to explore modes and painting methods that extend across, beyond, and through traditional formal parameters. Assignments will provide a platform to develop the students’ skills while exploring the relationship of painting to sculpture, installation art, and performative practices. Discussions and assignments will be based on readings, art historical references, and weekly exposure to global contemporary practices.

Fulfills →  Independent Inquiry flag

Scherezade García
MW 8–11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Painting II builds on the knowledge gained and comfort with the medium of paint that was developed in Painting I. The class will be taught through projects and will continue the exploration of paint as a means of personal expression. This course will be taught online.

Fulfills →  Independent Inquiry flag

Sarah Canright
TTH 8–11
Teaching Format →  Online

Problems in composition and exploration of personal expression.

Fulfills →  Independent Inquiry flag

Troy Brauntuch
TTH 2–5
Teaching Format →  Online

Advanced exploration of concepts and techniques in painting, emphasizing the individuation of pictorial language. Class investigations encompass various approaches to representational and abstract painting. Studio work is complemented by in-depth discussion of issues in historical and contemporary painting.

Course will be taught through online instruction with optional in-person activities. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person instruction activities must register for section with Instruction Mode: Hybrid or Blended.

Fulfills →  Independent Inquiry flag

John Yancey
TTH 2–5
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

In this course you will learn the fundamentals of medium format black & white photography, how to use a manual medium format camera, expose black & white film, and how to digitally edit, sequence, and critique your own and your fellow classmates' work.

In the interest of public health, this course will primarily take place online. A camera kit (Medium format camera, light meter, tripod) will be available for checkout from UT. You must be in Austin to use this opportunity. Alternatively, if you are not on or near campus, you must provide your own 35mm film camera such as Pentax K-1000, Canon AE-1, or Nikon F-6, with a 50mm lens otherwise prime (non-zoom) lens. You will be required to purchase film and the Adobe Suite (discounted for students). You will drop off, or ship film to UT where Lab Monitor Amber Johnson will oversee the development and scanning of film.

You will study aspects of photographic history and begin to define your individual voice as an artist. Assignments will be given in order to challenge how you think about and make pictures both technically and conceptually. Class time will be dedicated to slide lectures and discussions, group critiques, visiting artist talks, demos, peer editing, and supervised work time.

Eli Durst
MW 8–11
Teaching Format →  Online

Dawn Kim
TTH 8–11
Teaching Format →  Online

From a technical point of view, the core structure of the semester is geared towards gaining knowledge of the tools of digital photography and applying this information towards the creation of compelling images. In the interest of public health, this course will be held online although there will also be optional in person, outdoor meetings to review camera function. Students will be able to check out cameras from our lab for the semester and will not have to share with other students. We will work with two different cameras, a 4x5 large format film camera and a Digital SLR. We will switch cameras midway through the semester. (If you are unable to come to Austin to check out equipment, you be will required to find a suitable DSLR to use during the course. You will not be required to track down a 4x5 film camera.)

When working with the film camera, you will drop off or mail your film to Holland Photo in Austin for processing. Once developed, the film will be sent to the UT Photography Lab, where Lab Monitor Amber Johnson will oversee the scanning of the film. The digital scans and film will then be sent to the student. We will use these scan files while learning the properties of digital image files and ways in which to edit them in Adobe Photoshop, Adobe Bridge, and Adobe Lightroom. (When working with DSLRs, you will simply upload the files to your computer.)

Fulfills →  Independent Inquiry flag

Eli Durst
MW 2–5
Teaching Format →  Online

This studio course is centered on making images and an advanced inquiry to the history of the photographic image and contemporary discourse examining the multiple roles that contemporary photography plays within our cultural time. In the interest of public health, this course will be held online. Students will have access to check out digital or film cameras and lighting equipment from our lab for the semester. If you are working with a film camera, you will drop off or mail your film to Holland Photo in Austin for processing. Once developed, the film will be sent to the UT Photography Lab, where Lab Monitor Amber Johnson will oversee the scanning of the film. The digital scans and film will then be sent to the student. There may be the possibility of remote printing service in our lab.

Fulfills →  Independent Inquiry flag

Alexander Birchler
TTH 2–5
Teaching Format →  Online

This course will introduce students to a wide range of printmaking processes. Students will be presented with online demonstrations, hands-on instruction, and digital links and research resources. Projects using the traditional media of silkscreen, relief, intaglio and lithography will be supplemented with various “at home” media utilizing mono-types, collagraphs, pochoir, dry-points, collage and frottage to create prints without elaborate or expensive equipment. Completion of this intensive course will allow students to choose which intermediate printmaking courses they wish to pursue further. To ensure social distancing and safety standards, students will participate in both online and limited occupancy classroom work.

This is a Blended/hybrid course. Some activities will be designed that they may be accomplished from home where other activities must be accomplished using the universities facilities.

Lee Chesney
MW 8–11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

This course will introduce students to a wide range of printmaking processes. Students will be presented with online demonstrations and hands-on instruction, with projects using the modern mediums of silkscreen and risography to the more traditional processes of relief, intaglio and lithography. Completion of this intensive course will allow students to choose which intermediate printmaking courses they wish to pursue further. To ensure social distancing and safety standards, students will participate in both online and limited occupancy classroom work.

Annie May Johnston
TTH 8–11
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

This course will allow students to work with a wide range of silkscreen approaches, starting with stencils, hand-drawn techniques and photo-emulsion, to photo-realistic CMYK processes, digital manipulation and repeat pattern. Using online demonstrations and hands-on instruction, projects will be framed around the history of print and the multiple, production, publication and popular culture, print as protest, and its role in pattern and decoration. Students are encouraged to experiment and incorporate other mediums as they create and develop their work. To ensure social distancing and safety standards, students will participate in both online and limited occupancy classroom work.

Fulfills →  Independent Inquiry flag

Annie May Johnston
TTH 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Relief printing is one of the earliest printmaking techniques and as a result has a rich history of “low-tech” methods, which allow for printing without a press and outside of a traditional print shop setting. Students will learn how to set up an at home print studio and explore a range of relief processes including a combination of the following: lino cuts and lino reduction cuts, woodblock prints, monotypes and monoprints, and/or supplemental techniques such as hand coloring, collage/collagraph, pochoir, and/or frottage. Working in series, variable editions, publications, and/or more experimental methods drawing from the history of performance art’s relationship to relief printing may also be introduced. Instead of using a press, students will learn how to hand print their matrices using a baren. Students will be encouraged to experiment and incorporate other mediums as they create and develop their work. Readings/videos, short writing responses, and critiques will be required.

This course will be taught entirely online with the possibility of access to print facilities outside of class hours. This optional access to labs will allow students to work on projects in the print labs if they wish to. Students will be required to follow all building use guidelines and adhere to lab occupancy restrictions.

Audrey Blood
MW 2–5
Teaching Format →  Online

Advanced Print Workshop is an all-media print course. While new concepts and techniques will be introduced, students will build on their pre-existing knowledge of any print process to develop print-based artworks that revolve around their chosen portfolio focus. There will be a strong emphasis on research, critique and contemporary practice. Students are encouraged to experiment and incorporate other mediums as they create and develop their work. To ensure social distancing and safety standards, students will participate in both online and limited occupancy classroom work.

Fulfills →  Independent Inquiry flag

Annie May Johnston
MW 2–5
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

This course is cross-listed with the Department of Design.

This class will take a DIY approach to print processes and book structures. Students will generate content and imagery that doesn’t require equipment to produce. We will explore graphic and photographic processes ranging from gelatin plate printing to emulsion lift image transfers. We will then investigate alternative methods for presenting this imagery including non-traditional book binding structures, hand-made boxes, and portfolio cases.

Kevin Auer
F 11–5
Teaching Format →  Online

In this course students will receive an in-depth introduction into the field of sculpture and will explore many different methods of making and relating to objects. Students will learn to think of their immediate environment and familiar objects as potential sculptural materials and exhibition spaces. We will cover basic technical processes including mold-making and armature construction as well as general principles on how to develop concepts, finish surfaces, and display completed work. We will read about and discuss various issues and practices in contemporary sculpture and students will work to develop their own focused studio practice as well as the specific language to discuss their work and the work of their peers.

Course will be taught through online instruction with optional, occasional in-person activities. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person instruction and activities must register for section with Instruction Mode: Hybrid or Blended. These students will be able to sign-up to utilize the sculpture classroom, labs and equipment and will be required to follow all building use guidelines and adhere to classroom occupancy restrictions.

Although students in Hybrid or Blended section of this course will be allowed to use the classroom and shop space in a limited way there will be a strong focus in this course on building a sustainable, adaptable, home-based studio practice by investigating and utilizing the available environment and materials.

Rachael Starbuck
TTH 8–11
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

In this course students will develop their own focused studio practice as well as the specific language to discuss their work and the work of their peers. Throughout the course of the semester we will investigate sensitivity— as it relates to object making and the field of sculpture as well as the concept of sensitivity in a larger context. We will talk about environmental sensitivity (space/context), emotional sensitivity (feeling/metaphor), tactile sensitivity (touch/physicality) and material sensitivity (material meaning). These topics are designed to frame readings, discussions and lectures but will not place technical restrictions on students' individual projects. Students should however always be thinking about if or how any or all of these sensitivities apply to their own practices.

Course will be taught through online instruction with optional, occasional in-person activities. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person instruction and activities must register for section with Instruction Mode: Hybrid or Blended. These students will be able to sign-up to utilize the sculpture classroom, labs and equipment and will be required to follow all building use guidelines and adhere to classroom occupancy restrictions.

Although students in Hybrid or Blended section of this course will be allowed to use the classroom and shop space in a limited way there will be a strong focus in this course on building a sustainable, adaptable, home-based studio practice by investigating and utilizing the available environment and materials.

Fulfills →  Independent Inquiry flag

Rachael Starbuck
TTH 2–5
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

In this course students will develop their own focused studio practice as well as the specific language to discuss their work and the work of their peers. Throughout the course of the semester we will investigate sensitivity— as it relates to object making and the field of sculpture as well as the concept of sensitivity in a larger context. We will talk about environmental sensitivity (space/context), emotional sensitivity (feeling/metaphor), tactile sensitivity (touch/physicality) and material sensitivity (material meaning). These topics are designed to frame readings, discussions and lectures but will not place technical restrictions on students' individual projects. Students should however always be thinking about if or how any or all of these sensitivities apply to their own practices.

Course will be taught through online instruction with optional, occasional in-person activities. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person instruction and activities must register for section with Instruction Mode: Hybrid or Blended. These students will be able to sign-up to utilize the sculpture classroom, labs and equipment and will be required to follow all building use guidelines and adhere to classroom occupancy restrictions.

Although students in Hybrid or Blended section of this course will be allowed to use the classroom and shop space in a limited way there will be a strong focus in this course on building a sustainable, adaptable, home-based studio practice by investigating and utilizing the available environment and materials.

Fulfills →  Independent Inquiry flag

Rachael Starbuck
TTH 2–5
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

In this course we will focus on installation art. Through critical texts, videos, and readings, the course will look at the history of installation and its conceptual underpinnings. In addition, students will make site-specific installation work, use digital tools to create virtual spaces, participate in generative exercises, and respond to installation related readings.

Course will be taught through online instruction with optional in-person activities and self-guided visits to assigned sites. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person activities must register for section with Instruction Mode: Hybrid or Blended. Due to COVID-19 it is still uncertain to what degree the sculpture classrooms, labs, and equipment will be open and available to these students.

Fulfills →  Independent Inquiry flag

Jeff Williams
MW 2–5
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Digital Fabrication introduces students to computer modeling, 3D data acquisition, and various forms of digital fabrication. Specifically, students will use Rhinoceros 3D to digitally model virtual forms, photogrammetry will be used to digitally capture 3D data, and the department’s laser cutters, 3-axis CNC router, 4-axis CNC milling machine, 3D printers, UV printer, and vinyl cutter will be used to physically realize student designs. Personal research, lectures, media, readings and discussions will supplement software and hardware demonstrations during the course.

In practice, most of this course will take place online. Many of the assignments will be rendered as images rather than physical objects, and any projects that are physically realized will likely use the service Fab Lab To-Go, which performs certain tasks for students including cutting, printing, and scan processing. As students become cleared to use the equipment, students may be given access to the lab to independently work on their projects. Students who wish to complete the course without utilizing the lab will be able to complete equivalent activities remotely without academic penalty.

R. Eric McMaster
TTH 11–2
Teaching Format →  Online

Digital Fabrication introduces students to computer modeling, 3D data acquisition, and various forms of digital fabrication. Specifically, students will use Rhinoceros 3D to digitally model virtual forms, photogrammetry will be used to digitally capture 3D data, and the department’s laser cutters, 3-axis CNC router, 4-axis CNC milling machine, 3D printers, UV printer, and vinyl cutter will be used to physically realize student designs. Personal research, lectures, media, readings and discussions will supplement software and hardware demonstrations during the course.

In practice, most of this course will take place online. Many of the assignments will be rendered as images rather than physical objects, and any projects that are physically realized will likely use the service Fab Lab To-Go, which performs certain tasks for students including cutting, printing, and scan processing. As students become cleared to use the equipment, students may be given access to the lab to independently work on their projects. Students who wish to complete the course without utilizing the lab will be able to complete equivalent activities remotely without academic penalty.

R. Eric McMaster
TTH 11–2
Teaching Format →  Online

Explore art and networks, people and planet, nature and technology. Create projects for the web with augmented reality, creative coding, machine learning, and more. Focuses on the evolution of network art practices and interactive storytelling, media archeology, art and environmentalism, theory and action, and critical thinking around technology and culture. Browser-based projects are produced and experienced on personal computers and phones. No prior digital media or coding skills required.

Ariel R. Jackson
TTH 8–11
Teaching Format →  Online

Intermediate and advanced projects in experimental media and expanded forms. Digital, networked, generative, interactive, performative, hybrid, and away from keyboard (AFK). Scaled for local to global audiences. Focuses on the evolution of media art practices in cultural contexts and critical thinking about media and technology in society. Introduction to contemporary art, exhibitions, platforms, and events; and, intrepid artists creating new content streams, calls to action, creative tools and equitable platforms for artists. Emphasis is on experimentation and a DIY approach to production. Student-initiated and collaborative projects are produced and experienced on personal computers, phones, and iPads. Equipment (iPads) may be made available for student check out for the entire semester (pending).

Fulfills →  Independent Inquiry flag

Kristin Lucas
TTH 2–5
Teaching Format →  Online

Intermediate and advanced projects in experimental media and expanded forms. Digital, networked, generative, interactive, performative, hybrid, and away from keyboard (AFK). Scaled for local to global audiences. Focuses on the evolution of media art practices in cultural contexts and critical thinking about media and technology in society. Introduction to contemporary art, exhibitions, platforms, and events; and, intrepid artists creating new content streams, calls to action, creative tools and equitable platforms for artists. Emphasis is on experimentation and a DIY approach to production. Student-initiated and collaborative projects are produced and experienced on personal computers, phones, and iPads. Equipment (iPads) may be made available for student check out for the entire semester (pending).

Fulfills →  Independent Inquiry flag

Kristin Lucas
TTH 2–5
Teaching Format →  Online

A concise definition of performance art has yet to be established, however, most people would agree on two points: there are no rules, and one may borrow from anywhere to generate ideas. In this introductory course, students will learn how to produce solo performance art pieces for a Zoom audience and context. Focus will be on engaging a process of layering a range of elements including text, movement and audio/visual material taken from popular culture, current events, art and everyday life. In addition to presenting and critiquing individual performance assignments, class time will be devoted to exercises, screenings and discussions around specific themes and topics. The class will be taught remotely via Zoom.

Michael Smith
TTH 11–2
Teaching Format →  Online

In this advanced Performance Art class students will develop themes and ideas for solo and collaborative projects initiated in Performance Art 317C. As in the introductory course, emphasis will be placed on developing one’s ideas rather than refining one’s technique. Particular attention will be paid to the behavior patterns and adjustments to living under quarantine conditions. Students will be encouraged to collaborate with other students in the development of both live and prerecorded performances, while considering the social and formal aspects of the Zoom grid.In addition to presenting and critiquing individual performance assignments, class time will also be devoted to discussing readings and viewing video documentation of historical and contemporary performance art. The class will be taught remotely via Zoom.

Michael Smith
TTH 2–5
Teaching Format →  Online

In this advanced Performance Art class students will develop themes and ideas for solo and collaborative projects initiated in Performance Art 317C. As in the introductory course, emphasis will be placed on developing one’s ideas rather than refining one’s technique. Particular attention will be paid to the behavior patterns and adjustments to living under quarantine conditions. Students will be encouraged to collaborate with other students in the development of both live and prerecorded performances, while considering the social and formal aspects of the Zoom grid.In addition to presenting and critiquing individual performance assignments, class time will also be devoted to discussing readings and viewing video documentation of historical and contemporary performance art. The class will be taught remotely via Zoom.

Michael Smith
TTH 2–5
Teaching Format →  Online

Study in digital video, sound, and animation, with emphasis on the exploration of cinematic time and its time-based installation. Guided inquiry into the relationship between video and video projections, and technics and technology.

Course will be taught through online instruction with optional in-person activities. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person instruction activities must register for section with Instruction Mode: Hybrid or Blended.

Bogdan Perzyński
MW 8–11
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Study in digital video, sound, and animation, with emphasis on the exploration of cinematic time and its time-based installation. Guided inquiry into the relationship between video and video projections, and technics and technology.

Course will be taught through online instruction with optional in-person activities. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person instruction activities must register for section with Instruction Mode: Hybrid or Blended.

Fulfills →  Independent Inquiry flag

Bogdan Perzyński
MW 2–5
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Study in digital video, sound, and animation, with emphasis on the exploration of cinematic time and its time-based installation. Guided inquiry into the relationship between video and video projections, and technics and technology.

Course will be taught through online instruction with optional in-person activities. Students who wish to complete course completely online should register for section with Instruction Mode: Internet. Those who wish to participate in in-person instruction activities must register for section with Instruction Mode: Hybrid or Blended.

Fulfills →  Independent Inquiry flag

Bogdan Perzyński
MW 2–5
Teaching Format →  Online with Optional In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

The Professional Practices course focuses on the exploration of professional practices as they relate to the field of visual arts. This course leads students to investigate and gain knowledge of the many options available to help achieve their professional goals. Students will go through a series of exercises to improve their writing, presentation and organization skills to best support their artist career. The course will be taught online.

Fulfills →  Writing flag

In this course, the Department of Art and Art History partners with Livestrong Cancer Institute to explore the intersection of art and healthcare. By creating art with and for cancer patients, caregivers, and clinical staff, Aesthetics of Health students use their art to make connections and build relationships with others in a clinical setting. This is a wonderful class for students interested in community-based practice, the application of therapeutic arts, science and medicine, and inserting a higher level of empathy into their creative work.

Registration for this course is restricted. Instructor permission required before enrolling.

Fulfills →  Independent Inquiry flag / Ethics flag

Megan Hildebrandt
TTH 11–2
Teaching Format →  Online with Required In-Person Component
(Please contact the instructor for further details on type/frequency of in-person instruction.)

Individual projects to be completed under faculty supervision.

Restricted to Studio Art and Art Education Majors, requires approval by Studio Art Assistant Chair to register.

Fulfills →  Independent Inquiry flag