News

book cover that's black with multicolored dots

Margo Sawyer featured in new book celebrating the 50th anniversary of of Public Art of the University of Houston System

Multi-media artist and studio art professor Nicole Awai's work Reflection Pool being presented at Lesley Heller Gallery in New York.

Nicole Awai presents work at High Line, Lesley Heller Gallery and more

image of Martin Luther King Jr on a cover of a magazine in color illustration from renowned UT art historian Eddie Chambers' collection.

Eddie Chambers shares Black press collection

Nicole Awai among 10 inaugural recipients of the BRIC's Colene Brown Art Prize

image of Studio Art and Art Education students drawing insect specimens at UT's world class Biodiversity Center

"Insects and Art": a peek inside the First-Year Core Program's trip to UT's Biodiversity Center

triptych of installation images featuring print works from Print professor Annie May Johnston

Annie May Johnston summer residencies include stays in Basel and Sicily

Studio Art Professor Kristin Lucas announced among NEW INC's 2019-2020 cohort

panel from a graphic novel by UT alumnus Chris Ware called Rusty Brown

Chicago Tribune takes visual tour of new graphic novel from alumnus Chris Ware (BFA in Studio Art, 1990)

Amelia Winger-Bearskin, artist/technologist and UT Studio Art alumna, is the 2019-2020 Mozilla fellow hosted at Co-Creation Studio at MIT Open Documentary Lab featured on the right with her work being experience on image on the left

Alumna Amelia Winger-Bearskin is the 2019 Mozilla Fellow

film created by Texas Studio Art and Transmedia professor Kristin Lucas titled Cable Xcess created in 1996, 4:48 min, color, sound

Kristin Lucas presented Cable Xcess at Aurora Picture Show

Black male nude depicted in D’Angelo Lovell Williams' piece titled Fleurish, 2016.

"There Are No Shadows Here: ‘The Perfect Moment’ at 30" // Alumnus Ade Omotosho's review in Burnaway

Book cove for routledge companion to african american art history written by preeminent UT Austin professor Eddie Chambers that questions role and nature of categorization

New book edited by art historian Eddie Chambers unsettles the status quo role and nature of African American art history