This talk considers how and why religion matters in the history of modern American art. Focusing on American moderns who were religious, including Andy Warhol, Agnes Pelton, and Joseph Cornell, it examines the tenets of their faith as embodied in their art. It further considers religion’s general exclusion in modern American art history.
Bio: Erika Doss (Ph.D., University of Minnesota) is a Distinguished Professor in the Edith O'Donnell Institute of Art History at the University of Texas at Dallas. Her wide-ranging interests in modern and contemporary American art are reflected in the breadth of her publications, including Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism (1991, which received the Charles C. Eldredge Prize), Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities (1995), Elvis Culture: Fans, Faith, and Image (1999), Looking at Life Magazine (editor, 2001), The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials (2008), Memorial Mania: Public Feeling in America (2010), Monumental Troubles: Rethinking What Monuments Mean Today (editor, 2018), and Spiritual Moderns: Twentieth-Century American Artists and Religion (2023). The recipient of several Fulbright awards, Doss has held fellowships at the Stanford Humanities Center, Georgia O’Keeffe Museum Research Center, Smithsonian American Art Museum, Rockwell Center for American Visual Studies, and Crystal Bridges Museum of American Art.