Modern and Contemporary Art and Visual Culture
Ann Reynolds is an Associate Professor in the Department of Art and Art History and the Center for Women’s and Gender Studies at the University of Texas at Austin. In her research and teaching, she focuses on twentieth and twenty-first century art and visual culture in the United States and Europe. Her recent publications include essays on Joan Jonas for the Fundación Botín (2016) and for the 2015 Venice Biennale; the experience of remoteness in relation to land art (Centre Georges Pompidou 2018); Bob Fleischner, Jack Smith, and Ken Jacobs’ film Blonde Cobra (Criticism Spring 2014); Charles Simonds’ Urban Dwellings (Dumbarton Oaks, 2011); Zoe Leonard’s Dia Beacon installation So you see I am here after all (Dia Art Foundation and Yale University Press, 2010); a co-edited anthology entitled Political Emotions (Routledge Press, 2010); and an essay on feminist exhibitions and publics circa 1970 for Witness to her Art (Bard Center for Curatorial Studies and D.A.P. Press, 2006). She is the author of Robert Smithson: Learning From New Jersey and Elsewhere (MIT Press, 2003), which was translated into French in 2014. She is currently working on a book entitled In Our Time, a history of intergenerational relationships among New York artists circa 1940–1970 that were shaped by shared, if heterogeneous, commitments to Surrealism and its legacy, primarily through a love of film. She and her co-curator, Michael Duncan, are also developing an exhibition focused on the magazine View (1940-1947). During the 2017-2018 academic year she was the Allen W. Clowes Fellow at the National Humanities Center, NC. She has been the recipient of five teaching awards including the College of Fine Arts Distinguished Teaching Award in 2006.